Cirrus@Austlit

'This article examines serial representations of Indigenous peoples in colonial periodical fiction to explore settler anxieties around colonisation and the fragile nature of settler belonging. It builds upon Elizabeth Sheehan’s work on seriality to consider the extent to which the serial (re)production of representations of Indigenous peoples in colonial texts works both to support and unsettle settler colonial subject formations and identities. Focusing mainly on the 1880 Christmas Supplement of The Queenslander, this study explores how two interdependent modes of seriality—continuity and subject formation—can be productively traced within a single issue of a periodical (Sheehan 2018). By reading across the contents of a periodical we can explore the strategies settler periodical fiction utilised to sublimate and ‘contain’ Indigenous presence while simultaneously noting where such containment fails or is unsettled by the fragile nature of settler fantasies around colonisation. The ‘operations of affect’ (Dillane 2016) at work in these texts are also discussed in this study to consider how they work to reinforce or undermine narratives of settler belonging for these texts’ colonial readership, with particular attention paid to the role of settler sorrow and ‘sympathy’ for the plight of Indigenous peoples in this era.' (Publication abstract)

'This article combines Indigenous mobility studies with recent work on seriality and periodical form to examine how the structural necessities of serialised periodical fiction reinforced representations of settler and Aboriginal mobilities for Australian readers across the nineteenth century. It considers the limits or gaps in the project of Australian settlement that these serial texts highlight through an exploration of how settler authors formulated ideologically acceptable and more ‘suspect’ manifestations of Aboriginal mobilities and persistence. Building upon Katherine Bode’s work in World of Fiction (2018) on Aboriginal presence in nineteenth-century Australian periodical fiction, this article considers how the structure of the serial itself worked to reinforce – and occasionally disrupt – perceptions of Aboriginal-settler frontier violence and white supremacy. It also explores moments of settler discomfort and unsettlement in these serial texts that operate as counterpoints to the larger imperatives of this periodical fiction to support and reinforce the colonial project. By aligning the disruptive potential of these serial narratives and their representations of Aboriginal and settler mobilities, I argue we can uncover moments when these texts appear to resist the rhetoric of forward momentum and advancement traditionally associated with narratives of colonial modernity.' (Publication abstract)

'This chapter explores the ways in which the literary features of The Home and The BP Magazine played a small but significant role in introducing their readers to Australian writers and their work in an era when the publishing industry in this country was still profoundly underdeveloped. These magazines situated Australian writers amid contemporary authors and books from Britain, America, and elsewhere, and discussed their work in ways that positioned them within the currents of international modernity. Viewing these quality magazines in terms of their target readerships, and for the ways books and authors were discussed within their pages, affords different perspectives on the canonical Australian writers presented in their pages alongside international authors of their day. Further, reading interwar magazines for their affirmative relationships to Australian writers also provides ways of considering authors in relation to their own contemporaneity, including emerging models of modern literary fame adapted from overseas.'

Source: Abstract

'In the early twentieth century, new technologies of media, communication, and transportation opened up a world of possibilities and led to transformations of the public sphere. Amongst the hundreds of new periodicals flooding the Australian marketplace, quality culture and leisure magazines beckoned to readers with the glamour of modernity and exotic images of pre-modern paradise. Through instructive and entertaining content, these glossy modern magazines widened the horizons of non-metropolitan audiences and connected readers in rapidly urbanising cities such as Sydney and Melbourne with the latest fashions, current affairs, and cultural offerings of London, Paris, New York, Los Angeles, and beyond. Designed by fashionable commercial artists, travel advertisements for shipping companies such as Burns Philp, Cunard, Matson, and P&O lined their pages. The golden age of the culture and leisure magazine coincided with the golden age of sea travel, middlebrow aspiration, and modernity.

'Focusing on the Australian interwar periodicals The Home, The BP Magazine, and MAN, this book explores the contraction of vast geographical spaces and the construction of cultural hierarchies alongside the advent of new media. This book investigates the role tastemaking culture and leisure magazines played in transporting the public imagination outward beyond the shores of Australia and upward or downward on the rapidly changing scales of cultural value. By delivering a potent mix of informative instruction, entertainment, worldliness, and escape, these magazines constructed distinct geographical imaginaries connected to notions of glamour, sophistication, and aspiration. They guided their readers through the currents of international modernity and helped them find their place in the modern world.

'This book is based on thorough research into an archive of important yet under-examined modern Australian periodicals, and makes a significant contribution to the scholarly literature on magazines and middlebrow culture in the interwar period. It offers new insights into the formation of the tastes of a rapidly modernising and differentiating reading public, as well as new understandings of the cultures of vernacular modernity and colonialism. This book also offers alternative perspectives, and positions Australia’s cultural and literary history within transnational cultural flows across the Indian and Pacific Oceans. Its analysis of Australian colonial modernity thus provides a model for examining collisions of modernity and colonialism, and for investigating connections between geographical imaginaries and social mobility, in other international contexts.'

Source: Publisher's blurb.