Issue Details: First known date: 2019... 2019 Now That I’m Old: Life Writing, Women and Ageing
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'Life writing can provide a chronicle of experiences, but for many women as they age, it also presents an opportunity to find meaning. My written story began in my mid-forties, in contrast to my mother who wrote her autobiography during her mid-seventies. In this essay, I explore how my mother’s inability to give voice to certain memories impacted on my own ability to write my life. Her efforts to stay on the surface drove me deeper. Our writing becomes a way of holding onto earlier versions of ourselves, however much these versions might contradict later perspectives. The process of life writing interacts with the experience of ageing in a way that can reinvigorate the writer, and the reader by association. We can achieve so much more on the page than our ageing bodies will allow in the physical world. This includes an overview of our lives and a way of making meaning out of the patterns we perceive with each passing year. Such patterns become more apparent with age. Secrets can reach the surface, particularly events such as incest, a central factor in my family story. Or they can remain hidden, as in my mother’s attempts to sanitise the past.'  (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Life Writing vol. 16 no. 1 2019 15394661 2019 periodical issue

    As Penelope Lively puts it in her memoir Ammonites and Leaping Fish: A Life in Time: ‘One of the few advantages of age is that you can report on it with a certain authority; you are a native now, and know what goes on here’ Lively is part of a growing number of women writers and artists who are not only productive in their later years but who provide valuable accounts both fictional and autobiographical -of their own ageing. They follow in the footsteps of writers such as Simone de Beauvoir,  Susan Sontag, Germaine Greer, Betty Friedan, Lynne Segal and Ashton Applewhite, motivated to write about their ageing by their need to bridge the gap between the lived experiences of growing older and the dominant cultural narrative of ‘old age’ as a negative thing to be avoided and disguised. This negotiation is especially pertinent with regard to women, who, to this day, face ‘a double standard of ageing’ and for whom ‘aging casts its shadow earlier than for men’ . In view of the limited positive role models for ageing women, the desire to communicate one’s own authoritative report from the unknown territory of old age is shared by older women from all walks of life and there is an increasing need to have their diverse voices heard and acknowledged. Therefore, the focus of this special issue is on the ways older women’s life narrative redefines culturally imposed conceptions of what it means to get older. Drawing on research from cultural gerontology and critical age studies, the authors acknowledge, explore and contextualise women’s experiences of getting older, thus counterbalancing the mainly one-sided, negative representations of ageing as perpetuated by dominant cultural discourse. In doing so, they focus on diverse forms of life writing including memoirs and (auto)biography, digital and visual forms of life narrative as well as autoethnographic accounts.' (Margaret O’Neill & Michaela Schrage-Früh : Introduction)

    2019
    pg. 127-138
Last amended 10 Jan 2019 08:42:07
127-138 Now That I’m Old: Life Writing, Women and Ageingsmall AustLit logo Life Writing
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