Issue Details: First known date: 2018... 2018 The Ends of Empire : Australian Steampunk and the Reimagining of Euro-Modernity
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AbstractHistoryArchive Description

'The rise of steampunk – speculative-fiction works set in a Victorian or pseudo-Victorian world marked by steam-powered technology – has led to a range of debates about what the genre is, what it does, and, more significantly for this paper, what it fails to do. Drawing on a range of steampunk works set in Australia, we explore the extent to which steampunk is able to grapple with coloniality, both in the Victorian period from which it draws and in the colonial present in which it is set. Is steampunk condemned to limit itself to a western-technocratic teleology or is it capable of critiquing or even circumventing colonial pasts? After setting out steampunk’s adherence to the problem-spaces of Euro-modernity, we focus closely on works by D.M. Cornish, Meljean Brook, and Dave Freer to highlight three ways in which authors writing Australian steampunk highlight non-hegemonic subjectivities and settings: secondary worlds and their historical distance, the mediated spaces of alternate histories, and the foregrounding of colonial brutalities in a traditional steampunk setting.'

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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Australian Literary Studies Genre Worlds : Popular Fiction in the Twenty-First Century vol. 33 no. 4 December Kim Wilkins (editor), Beth Driscoll (editor), Lisa Fletcher (editor), 2018 15353118 2018 periodical issue

    Special edition of Australian Literary Studies, drawing from the research project Genre Worlds: Popular Fiction in the Twenty-First Century.

    2018
Last amended 11 Dec 2018 16:14:07
https://www.australianliterarystudies.com.au/articles/the-ends-of-empire-australian-steampunk-and-the-reimagining-of-euro-modernity The Ends of Empire : Australian Steampunk and the Reimagining of Euro-Modernitysmall AustLit logo Australian Literary Studies
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