'Previous chapters have demonstrated the presence of Australian novels in American print culture from the small-scale, low -key importation of British sheets for rebinding and local distribution, to the large-scale manufacture of copyrighted American editions, extended by book club circulation or reprints, sometimes with sales of hundreds of thousands of copies. Over time, Australian authors contributed to a wide variety of markets: nineteenth-century romance and pioneering narratives; a genre system that sought tales of detection, sensation, and romantic love; and more serious fare in the form of historical sagas that were taken as a sign of the emergence of a distinct and distinguished national literature. With writers such as Henry Handel Richardson, Eleanor Dark, Christina Stead and Patrick White, certain Australian novels could occasionally find a more prominent and recognisable place in the conversations of New York's book culture.' (Introduction)
Epigraph: "The Yank literary market is absolutely the best in the whole blinkin' world."—Henry Lomond, 1945