'The first three decades of the twentieth century present no clear pattern for the publication of Australian novels in the United States outside the serial relationships with publishers that certain genre writers were able to achieve. Otherwise, in all but a few cases, we see one-off or occasional publishing, with few signs of sustained investment in individual authors and even less in Australian books per se. Towards the end of the period, however, the situation changes quite suddenly with the enormous critical and sales success of Henry Handel Richardson's Ultima Palk in 1929, followed the year after by Katharine Susannah Prichard's Coonardoo, and these two authors will be the subject of Chapter 6. The present chapter surveys the presence in the American marketplace of Australian writers working in the broad field of commercial fiction but outside the popular genres of crime, mystery and women's romance. It examines the obstacles and opportunities for Australian authors and stories in America in these decades after the passing of international copyright legislation in the United States and as the structures of the modem, twentieth-century US publishing industry were set in place.' (Introduction)