Cirrus@Austlit

'[...]most predictably, the European experience of Australia affirms the fundamental uncanny qualities of the landscape. [...]that obviously covered my mistakes. Because if I tried to write Deadman Dance, it better be damn perfect, or I would deserve everything I get. Filippo Menozzi has identified an intersection between colonialism and ecology in postcolonial fiction, which can be applied to Mitchell's narratives of Australia: "The literary figuration of biological invasiveness is a site where the legacy of colonialism is shown at work on multiple levels or planes, from politics to nature" (182). Modernity is threatening the planet through the excessive exploitation of natural resources and the creation of world-destroying technologies such as nuclear weapons.' (Introduction)