Cirrus@Austlit

'The story of the Sydney Opera House is usually told as the heroic tragedy of its Danish architect, Jørn Utzon, who won the design competition for his breathtaking cluster of white sails but resigned before its completion over conflict about practicalities, costs, and government interference. In her exquisite novel Shell, Kristina Olsson comes at the drama obliquely, from the perspective of Sydney’s working people.' (Introduction)