Elias Greig Elias Greig i(14979094 works by)
Gender: Male
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 Tasmania First : Ecofascism and the Settler Invasion Fantasy Elias Greig , 2023 single work essay
— Appears in: Overland , Summer no. 249 2023; (p. 3-16)

'Part way through Bruny, Heather Rose's first foray into the thriller genre, Dr Astrid Coleman (UN fixer and covert CIA agent. 'six feet tall and trained to defend myself', twin sister to the Tasmanian premier, half-sister to the Tasmanian opposition leader, scion of a political dynasty and proud 'sixth-generation Tasmanian) turns to her love interest. Dan Macmillan (retired-paratrooper-turned-tradie-turned-works-manager with a Celtic sleeve tattoo, 'Paul Newman blue' eyes and 'a Chris Pine been-down-Texas-robbing-a-bank look' but 'strong' like Chris Hemsworth) as he skins up a joint to ask 'Why are we letting paradise get invaded?' The two have just conspired with Astrid's brother, Liberal premier John 'JC' Coleman, to conceal the death of a Chinese worker on a vast suspension bridge being built to connect Bruny Island and its mixture of wealthy holiday shack owners, gastronomes, bespoke hoteliers and artisanal farmers to the Tasmanian mainland—a project bankrolled by the Chinese Communist Party's Belt and Road initiative, waved through at the highest levels of state and federal government. The dead worker is one of hundreds flown in from China, their extra labour necessitated by a terrorist attack that takes out half the bridge just before construction is complete —an attack later revealed as a false flag operation carried out by the Australian secret services.' (Introduction)

1 The Whale Ghosts Elias Greig , 2021 single work essay
— Appears in: Overland , Spring no. 244 2021; (p. 29-42)
1 y separately published work icon I Can't Remember the Title But the Cover Is Blue Elias Greig , Crows Nest : Allen and Unwin , 2018 14979114 2018 single work autobiography

'As any retail or service worker will tell you, customers can be irrational, demanding, abusive, and brain-scramblingly, mind-bendingly strange. They can also be kind, thoughtful, funny, and full of pathos. Something about the often-fraught interaction between customer and worker - with the dividing line of the counter between them, and the commercial imperative, with its curious etiquette and toleration of all kinds of suspect behaviour brooding above - dims down certain inhibitions, and has a kind of hot-house effect on eccentricity. 

'In I Can't Remember the Title But the Cover is Blue, veteran bookseller Elias Greig collects the best, worst and most interesting customer encounters from his years as a Sydney bookseller. From ill-behaved children to nostalgia seniors and everything in between, this hilarious and unpredictable book is the perfect gift for anyone who's ever been on the wrong side of a store counter.' (Publication summary)

X