y separately published work icon Overland [Online] periodical issue  
Issue Details: First known date: 2018... October 2018 of Overland [Online] est. 2011 Overland [Online]
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Contents

* Contents derived from the , 2018 version. Please note that other versions/publications may contain different contents. See the Publication Details.
A Suite of Three Poems, Jillian Boyd-Bowie , sequence poetry
Descendanti"My voice echoes the cries of my forefathers", Jillian Boyd-Bowie , single work poetry
MABO 1936-1992i"The land, the skies, the seas", Jillian Boyd-Bowie , single work poetry
Womani"Aka (Grandmother), undisputed Matriarch", Jillian Boyd-Bowie , single work poetry
Mother(s) Native Tonguei"we are thieves of sunlight", Yvette Holt , single work poetry
I Am the Roadi"My grandfather was the bush, the coast, salmon gums, hakeas, blue-grey banskias", Claire G. Coleman , single work poetry
Waiali Possum Cloaki"By waragal nightfall, Koori ngurra, Black’s camp. Firelight – tree flickering. Sounds of singing, gumleaf playing, trilling.", Julie Janson , single work poetry
Quandongsi"I remember days at La Pa", Brenda Saunders , single work poetry
The Aspirationals Vs the Burdens: Reading Migrants and Refugees through No Friend but the Mountains, Sukhmani Khorana , single work essay

'When Behrouz Boochani declared via a Skype call at the launch of his ‘prison memoir’ at the University of New South Wales in August this year that he wanted the work to be read/evaluated as a piece of art, I was internally nodding away. In my academic work for the past five years, I have examined a series of refugee-themed documentaries, and audience responses to them to argue that we need to move beyond the expression of transient empathy to take responsibility for systemic change. A crucial part of this process is recognising the agency of asylum seekers, whether in detention, or on temporary visas in our community, and partnering with them in lobbying for policy overhauls.' (Introduction)

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