Elias Jamieson Brown Elias Jamieson Brown i(14791117 works by)
Gender: Male
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Works By

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1 1 Camp Elias Jamieson Brown , 2023 single work drama

'Against the backdrop of the Vietnam War, Australia is on the cusp of political change. The body of a murdered lecturer floats in the River Torrens, a young woman escapes a lobotomy to ‘cure’ her sexuality, and a single mum struggles to find her place in a society that brands her as ‘abnormal’.

'From emerging Australian voice, Elias Jamieson Brown (Green Park), comes CAMP, a brand-new play directed by Kate Gaul (The Trouble with Harry, The Moors, H.M.S Pinafore) and proudly presented by Siren Theatre Co and Seymour Centre in association with Sydney WorldPride.

'Capturing the excitement and spirit of revolution present at the birth of Australia’s fierce gay rights movement, CAMP charts the struggles, successes, and legacy of early Pride activists who risked family, careers, and imprisonment to achieve social reform in Australia.

'Taking us from the earliest protests to the first Mardi Gras march and beyond—and paying particular homage to the untold history of women inside the movement—CAMP is a powerfully-told tale full of life and joy, inspired by remarkable true stories from those who were there.'

Source: Seymour Centre.

1 1 y separately published work icon Green Park Elias Jamieson Brown , 2021 Strawberry Hills : Currency Press , 2021 20801190 2021 single work drama

'You’ve walked past it. Maybe through it. Down the end of Victoria Street, opposite St Vincent’s Hospital—Green Park. It’s picturesque by day, a little eerie by night. And it’s where Warren and Edden are meeting, as a prelude to their Grindr hook up.

'One of them doesn’t look like his photo. There’s an age gap between them (but what’s a decade or three?). And one is harbouring a dangerous secret. In an hour’s time, both will leave the park profoundly transformed.

'Google Maps lists Green Park as “Good for Kids”. But just a few decades ago, that definitely wasn’t the case. For decades, the Wall opposite the park was where rent boys plied their trade for curb-crawling Johns. The public toilet was a spot for secret all-hours hook ups. When the cops dismantled it, in 1988, a cabal of drag queen nuns—the Sisters of Perpetual Indulgence—built a shrine to a chunk of its urinal. These details are becoming lost to time. But in Green Park, Warren and Edden will be pushed together—and apart—by forces of Sydney’s history that neither of them can comprehend.

'In 2021, Griffin is leaving its home at the SBW Stables and wandering down the road to the real Green Park. Outside the rotunda, audience members will be outfitted with a set of headphones. And together, they will eavesdrop on playwright Elias Jamieson Brown’s finely wrought Darlinghurst noir. To everyone else, the two men talking on a bench might not look like much. But in the gloom of the setting sun, you’ll experience a dangerous psycho-sexual collision… in a very public place.'

Source: Griffin Theatre Company.

1 Rattus Elias Jamieson Brown , 2019 single work drama

'Mariah and Gerard are standing in a hotel room, surrounded by strangers living in rooms above and below them. Gerard’s son is lying in a hospital bed somewhere shitting black and praying. Gifts are secretly given, rats multiply and morality gets a kicking.

'Guilt⟷sexuality

'Faith⟷fantasy

'This new Australian play has a chip on its shoulder that probably needs confronting.'

Source: Old 505 Theatre.

1 Crux Elias Jamieson Brown , 2018 single work drama

 'A figure emerges on the horizon. The Nullarbor? Maybe. He has crashed his car in the middle of god-knows-where, and has wandered out into the desert in a state of delirium. He stumbles across an old weatherboard house that backs onto the edge of the universe. In the vast red nothingness that precedes him, this house stands as a sanctuary. But it's already occupied.

'Haunting and urgent, CRUX is a play about asylum, and our basic human impulses to fight, protect and survive. Where do we draw the line between our individual and national identities? Are we still 'The Lucky Country'? Who are we, and what are we protecting?'

Source: Publisher's blurb.

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