'Precarious boats navigate the waters of the sea, from south to north. And more often than not, it is not only hope that drowns. A devastating indictment of our society's treatment of refugees by the creator of The Island.
'With eloquent and devastating imagery, the creator of the multi-award-winning book The Island again asks us to examine our responses to the plight of refugees. How long will we remain silent witnesses?' (Publication summary)
'This article looks into refugee narratives produced or endorsed and promoted as children’s reading matter by international refugee relief organizations. The analysis accounts for their emergence as a separate genre with recurrent features, while questioning the assumptions that underlie their production and the aims they serve.' (Publication abstract)
'In this article, I survey eight Australian picture books that seek to redress a seeming absence of care in Australian politics in relation to refugees and asylum seekers: My Two Blankets (2014), Suri's Wall (2015), Ride, Ricardo, Ride! (2015), Mate and Me (2015), Teacup (2015), Flight (2015), Out (2016), and I'm Australian Too (2017). These books depict a healthy community founded upon an ethics of care, and/or a depleted community when care is absent. Although none of these books invokes structural change, all of them demonstrate how relational well-being forms a foundation for civic virtue.'
'In this article, I survey eight Australian picture books that seek to redress a seeming absence of care in Australian politics in relation to refugees and asylum seekers: My Two Blankets (2014), Suri's Wall (2015), Ride, Ricardo, Ride! (2015), Mate and Me (2015), Teacup (2015), Flight (2015), Out (2016), and I'm Australian Too (2017). These books depict a healthy community founded upon an ethics of care, and/or a depleted community when care is absent. Although none of these books invokes structural change, all of them demonstrate how relational well-being forms a foundation for civic virtue.'
'This article looks into refugee narratives produced or endorsed and promoted as children’s reading matter by international refugee relief organizations. The analysis accounts for their emergence as a separate genre with recurrent features, while questioning the assumptions that underlie their production and the aims they serve.' (Publication abstract)