'Stephanie Bishop’s third novel, Man Out of Time, her most mature work to date, echoes Virginia Woolf’s psychological realism and the claustrophobic intensity of Elizabeth Harrower’s The Watch Tower (1966). Indeed, an unkind reviewer might compare Bishop’s latest novel to a subtle iteration of domestic noir, where the great threat is the family unit and its overbearing figurehead, although the protagonist in Bishop’s world oscillates between wanting to escape her oppressor and feeling deeply wedded to him.' (Introduction)