Issue Details: First known date: 2018... 2018 Review Short : Oscar Schwartz’s The Honeymoon Stage
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'Confession: I should not have read Michael Farrell’s launch speech for Oscar Schwartz’s The Honeymoon Stage before attempting this review. I had a large attack of Bloom’s anxiety of influence, but I simply couldn’t help myself because I truly appreciate Farrell’s wit and (worldly) wisdom. And now the damage is done. I read the speech and now I’m starting to fear I might be involved in this after all: colluding with, if not an active participant in this – Schwartz’s – whole transcendent digital Otherness that I was previously going to perhaps pooh-pooh just a little in this review. Now I only want to state wholeheartedly that both I and all the online avatars within – without? – thoroughly enjoyed reading The Honeymoon Stage. Meanwhile, I’m left to wonder what there is left to say about the entire identity crisis of this collection, let alone the process of creating a type of posthuman internet-based poetics.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Cordite Poetry Review Difficult no. 87 August 2018 14365222 2018 periodical issue

    'When people say ‘difficult’ and ‘poetry’ in the same sentence they are usually referring to the experience of reading a certain type of poem. It is often a poem that seems to make little sense, that doesn’t have a strong sense of narrative, that uses strange words or strange forms, that does not follow rules of grammar and syntax, that may not even communicate any coherent message at all. Difficult poetry, for some reason, is a phrase that refers to these weird poems and the people who try to read them. Difficult poetry is about the tension and struggle to make sense of this weirdness.' (Oscar Schwartz and Holly Isemonger : Introduction)

    2018
Last amended 28 Aug 2018 09:12:27
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