Alicia Byrnes Alicia Byrnes i(14325090 works by)
Gender: Female
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1 Johansson's Real Performance : Documentary Style in Under the Skin Alicia Byrnes , 2018 single work criticism
— Appears in: Science Fiction Film and Television , Spring vol. 11 no. 1 2018; (p. 29-35)

'Sf might seem an odd genre in which to place documentary values, even though it has historically utilised principles of realism to enhance its verisimilitude.1 It characteristically prizes the fantastical, and Under the Skin is exemplary of the genre insofar as the unnamed alien protagonist scours the streets of Glasgow for male civilians to capture and process.The setting is portrayed with strategic familiarity - plainly dressed shoppers, indiscernible chatter, harsh fluorescent lighting and the recognisable signage of chain stores distinguish the space.Eight bespoke cameras were fitted into the front of the actress/ heroine's van - behind mirrors, headrests and vents - to document the pickups.Under the Skins marketing campaign participates in this destabilisation of Johansson's image by drawing the audience's attention to the presence of the real within the cruising scenes.'  (Publication abstract)

1 West of Sunshine’s Father-and-Son Story Is Endearing, but Too Short Alicia Byrnes , 2018 single work review
— Appears in: The Conversation , 20 August 2018;

'In the second act of Jason Raftopolous’s endearing but slight drama West of Sunshine, estranged dad and hopeless gambler, Jim (Damian Hill), gives his tween son, Alex (Ty Perham, Hill’s real-life stepson), a lesson in blackjack.'  (Introduction)

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