The Digital History Prize is for 'an Australian historian's interpretation of an historical subject in non-print media'. The Prize is 'judged on the quality of the historical research, on artistic merit and effective use of the medium'.
(Source: NSW Premier's History Awards Guidelines)
'DARK EMU is a phenomenon. The book has sold more than a quarter of a million copies, received multiple awards and is one of the best-selling books of its kind. As questions arose over the merits of the contents of the book, old questions re-surfaced about the authenticity of the author Bruce Pascoe. In this feature documentary, we will delve into this search for identity, and in so doing spark yet more conversations about where we might be heading as a nation. The documentary will also be a platform for First Nations people to tell their own stories about their deep past. How new discoveries are shedding light on who their ancestors were and how they survived and prospered for at least 65,000 years on the most arid continent on earth.'
Source: Screen Australia.
'A nation came together around Indigenous athlete Cathy Freeman who delivered when it mattered on the greatest stage on earth at the Sydney 2000 Olympics. 20 years on, this documentary sheds light on one of Australia's proudest moments.' (Production summary)
'We Don’t Need a Map is a feature length documentary about Australia’s complex relationship to the Southern Cross. It is the most famous constellation in the southern hemisphere and ever since colonisation it’s been claimed, appropriated and hotly-contested for ownership by a radical range of Australian groups. But for Aboriginal people the meaning of this heavenly body is deeply spiritual, and just about completely unknown. Warwick Thornton, one of Australia’s leading film-makers, tackles this fiery subject head on in a bold, provocative and poetic essay-film. Produced by Barefoot Films.' (Production summary)
'Howard Jacobson traces the footsteps of Germaine Greer, Barry Humphries, Clive James and Robert Hughes arguing these Australian giants didn't just join the cultural revolution in the 60s, they led it.
'The Gang of Four are at their peak: Hughes becomes Time Magazine's art critic; Germaine writes The Female Eunuch; Clive becomes a junior member of the London literati; Barry makes a Barry MacKenzie movie.' (Production summary)