Cirrus@Austlit

'Chloe Hooper's second novel, The Engagement (2012), was always likely to face a critical challenge. Her previous book was the multi-award-winning The Tall Man (2008), a non-fictional account of the death in police custody of an Indigenous man, Cameron Doomadgee, on Palm Island off the coast of North Queensland in 2004. Coinciding with Kevin Rudd's 2008 National Apology to the Stolen Generations, it was a timely work about racial injustice overshadowed by historical guilt, and was widely publicised and well received. In contrast, The Engagement, variously described as a thriller or a gothic novel, might seem frivolous, and so far has sparked no critical attention apart from reviews, most of which, while finding things to praise, also carried reservations. Owen Richardson in the Monthly-which in 2006 had published Hooper's Walkley Award-winning essay on the inquest into Doomadgee's death—thought that "it was hard not to think that Hooper's gift is slumming it a bit," and Geordie Williamson in the Australian was "not sure how successfully Hooper has held fantasy and reality in tension" (19). Kate McFadyen in Australian Book Review struck something of a common chord when she remarked: "Hooper masters all the generic plot devices, but her characters' responses and motivations do not always ring true...' (Introduction)