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'While filming around Tasmania, I slept many nights in my van, some outside it. I saw more stars than in previous years, and everything seemed crisper, clearer — not only due to upscaling from a HD to a 4k-resolution video camera. The intensity increased as the deadline approached. Michael Gissing and I collaborated on making a nine movement, 84 minute film as the back-drop of A Tasmanian Requiem.' (Introduction)
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Last amended 28 Jun 2018 08:18:45
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