'One of the titles in Lachlan Brown’s new book is ‘(sorites and another traveller’s song)’. The parenthesis is a sign of casual deflection. The title of the poem is an add-on. It could be something else. But actually it provides a good description of the whole, which is a lyrical reflection of a journey and a heap of other things. ‘Sorites’ means ‘heap’, referring here to hoarding—the poet’s grandmother’s literal obsessive hoarding, as well as the metaphorical hoarding of memories, stories, observations and associations that make up (this) poetry—and conceptually to the paradox of a heap. Does a heap stay the same as things are added to it or taken away? When is a heap not a heap but just detritus, nothing? For a certain kind of contemporary Australian poetry, of which Brown’s is an appealing example, this is a problem of situatedness, of inheritance.' (Introduction)