'This creative work (screenplay) is informed by queer theory relating to gender and sexuality and explores the complex negotiations and disclosures that gender nonconforming persons are often forced to undertake in social situations that are largely structured by heteronormativity. The screenplay foregrounds the mutable nature of sexual attraction and actively imagines a scenario in which gender non-conforming persons are not confronted with fraught, and often dangerous, social navigations and disclosures about their gender status. The screenplay foregrounds dialogue and direct address as a subversion of mainstream (masculinist) screen conventions that accentuate the visual (masculine) over the verbal (feminine) and verisimilitude over self-reflexivity. The script also makes a contribution to the rethinking of attraction itself, presenting it as fluid and negotiable rather than fixed. The script deploys these ideas in an accessible way, in the form of a LGBTIQ romantic drama.' (Publication abstract)