Cirrus@Austlit

'Alison Croggon has worked across many forms in her career, and connections to several are represented in these pages – the nine-part poem ‘Specula’, for example, comes from a larger work of the same title which also involves an essay and a radio play. Her previously published poetry collections are likewise represented. But there is no distinction in this new collection between these various sources from which Croggon has drawn – a deliberate choice she carefully underlines in her author’s note to this selection. In the acknowledgements, her own titles are grouped with that of the numerous journals she has published in, and given no special attention. There is no distinction in the table of contents or in the book’s design which demonstrates each poem’s source – the only overt indication is the inclusion of titular poems from previous collections. Recognition of these moreover confirms that the new collection is not arranged chronologically, or by any other immediately comprehensible logic. Something larger is at play in the construction of the collection than the ‘historicisation’ of a writing career.'  (Introduction)