'Gay theatre, or at least identifiably queer theatre, has never had much of a presence in Australia; most of what we consider canonical has come from overseas. The Elizabethan stage had Marlowe’s Edward II and Shakespeare had two characters named Antonio, in Twelfth Night and The Merchant of Venice, who are fairly obviously queer. Since then, most quintessentially gay theatre has come from the United States. Tennessee Williams perfected the unspoken queer subtext, often tying himself in knots to speak clearly what remained unspeakable. But it took Tony Kushner to produce the first openly gay theatrical masterpiece in the two-part Angels in America (1991–92). Anyone who caught last year’s production of Angels at fortyfivedownstairs will know just how vital and electrifying the piece remains as a touchstone of gay representation on stage.' (Introduction)