'Almost twelve years after her death, Bronwyn Oliver (1959–2006) remains one of Australia’s best-known sculptors; her artistic legacy supported by the prolific outputs of an intense and high-profile studio practice across three decades, by public, private, and corporate commissions, and by a string of prizes, awards, and fellowships. She is admired now, as she was throughout her career, as an artist of signal intellectual depth and aesthetic complexity, her work carrying appeal across a broad public.' (Introduction)