'And so I patch it together … I take the liberty of seeking not only an explanation but a connection between what at first might appear to be disparate ingredients.’ The narrator of Gregory Day’s new novel, A Sand Archive, takes many liberties. Enigmatic in various ways, apparently solitary, nameless, and ungendered, this character is nevertheless full of fascinated admiration and affection for an older man who is virtually a stranger, and candid about the feelings and impulses that compel the creation of an intimate account of his life and career. The patchwork is composed of clues found in an obscure publication titled The Great Ocean Road: Dune stabilisation and other engineering difficulties by FB Herschell, along with an archive in ‘the small prime ministerial library at the university on the edge of the water’ in Geelong.' (Introduction)