'The Fortress asks questions about consent, power, love and fulfilment, and is absorbing, explicit, confronting and moving.
'Jonathon Bridge has the corner office, the tailored suits and the impeccable pedigree. He has a fascinating wife, a child on the way and a string of nubile lovers on the side. He's a man who's going places. His world is our world: the same chaos and sprawl, haves and have-nots, men and women, skyscrapers and billboards. But it also exists alongside a vast, self-sustaining city-state called The Fortress where the indigenous inhabitants, the Vaik, continue to live much as they have always done. The Vaik is an all-female civilisation.
'The Fortress is cloistered from the outside world and connected to it by an arcane tradition that permits female victims of male violence to order their assailants into The Fortress indefinitely. Another way a man may enter The Fortress is as a supplicant. When Jonathon's pregnant wife Adalia discovers the ugly sexual violence pervading Jonathon's top-tier firm, she agrees to continue their fractured relationship on one condition: that Jonathon become a supplicant for a period of one year.
'Jonathon's arrival at The Fortress begins with a recitation of the conditions of his stay by Mandalay, the Vaik to whom he is assigned: he is forbidden to ask questions, to raise his hand in anger and to refuse sex. At times self-justifying, at other times lost, Jonathon is utterly unprepared for what will happen to him over the course of the year, not only to his body, but his mind and his heart.
'The Fortress is a psychological examination of the dark heart of modern masculinity. It is interested in what male sexual submission looks like and how a female civilisation might operate. It wants to know if readers can be aroused by sex scenes that have nothing to do with female objectification, and even if such arousal is possible. It asks questions about consent, power, love and fulfilment in a pacey, explicit and confronting read.' (Publication summary)
Dedication: In memory of Madge Hunt (1928-2015) who knew that words matter.
'A walled matriarchal society forces self-reflection and radical growth in a speculative examination of power, sex and gender.'
'This speculative novel is of the Zeitgeist. S.A. Jones imagines a civilisation of women – the Vaik – committed to ‘Work. History. Sex. Justice.’ Although they live apart, in ‘The Fortress’, there is a history of exchange between the Vaik and the outside world. All women are entitled to Vaik justice if they have been violated and, according to a treaty that includes ‘biological guarantees’, Vaik are ‘granted access to men and sperm’. Thus, The Fortress accommodates men: national servicemen; ‘isvestyii’ who, having committed crimes against women and girls, are sentenced to life (and death) at The Fortress; permanent residents; and ‘supplicants’. These men work – in the fields, the kitchens, etc. – and must consent to the Vaik ‘direct[ing] the uses of [their bodies] at all times’.' (Introduction)
'The Fortress provides strong examinations of patriarchal values, toxic masculinity and the places to which these values can lead.'
'This speculative novel is of the Zeitgeist. S.A. Jones imagines a civilisation of women – the Vaik – committed to ‘Work. History. Sex. Justice.’ Although they live apart, in ‘The Fortress’, there is a history of exchange between the Vaik and the outside world. All women are entitled to Vaik justice if they have been violated and, according to a treaty that includes ‘biological guarantees’, Vaik are ‘granted access to men and sperm’. Thus, The Fortress accommodates men: national servicemen; ‘isvestyii’ who, having committed crimes against women and girls, are sentenced to life (and death) at The Fortress; permanent residents; and ‘supplicants’. These men work – in the fields, the kitchens, etc. – and must consent to the Vaik ‘direct[ing] the uses of [their bodies] at all times’.' (Introduction)
'The Fortress provides strong examinations of patriarchal values, toxic masculinity and the places to which these values can lead.'
'A walled matriarchal society forces self-reflection and radical growth in a speculative examination of power, sex and gender.'
