'There is a scene about an hour into Naina Sen’s documentary The Song Keepers in which a woman in her 60s ascends a ridge. The surrounding terrain is harsh desert, the red-hued country synonymous with the Australian outback. Below, nestled among the green blooms of towering eucalypts, is a patchwork of corrugated tin roofing that is the small, remote township of Areyonga. Visually the shot is sumptuous: a striking, sun-drenched panorama that alludes to the extent of isolation experienced by the Aboriginal communities that feature in the film. But that’s not all it is.' (Introduction)