Cirrus@Austlit

'Christina Stead was always prickly about the idea of vocation. Indeed, she often insisted to interviewers that she had never had any such thing. Yet in her semi-autobiographical novel The Man Who Loved Children, she gave the character based on herself, 12-year-old Louisa, a potent sense of predestination. In one scene, Louie is cleaning her brothers' bedroom and dreaming of being an actress. Her father has just finished telling her that she looks like a gutter-rat, while downstairs her stepmother is grumbling about her 'dirt and laziness'. Her younger sister is about to ask her to carry down the slop bucket. But Louie is far away, 'declaiming...to a vast, shadowy audience stretching away into an opera house as large as the world'. Her conviction that she is extraordinary saves her from the catastrophe that is her home life. 'If I did not know I was a genius, I would die', she declares — but to herself alone. She is the ugly duckling, whose future as a glorious swan will, she knows, take her far away from the chaos and violence around her.'  (Introduction)