'It happened in broad daylight, one April afternoon in 2015, while the citizens of an outer-western Melbourne suburb called Wyndham Vale were peaceably going about their business.'
'Helen Garner’s literary non-fiction book This House of Grief (2014), as well as her two essays ‘Why She Broke’ (2017) and ‘Killing Daniel’ (1993), all deal with instances of filicide. This article begins by offering a reading of these writings in which I argue that they perpetuate a mythologisation of family violence which prevents us from viewing that violence as an ameliorable social injustice. I look at Rita Felski’s injunction to engage more deeply with what she calls ‘ordinary readers'’ uses of literature as a way to question the relevance of the kind of critique put forth in the first section; ultimately, I find that the context of Garner’s popular reception actually vindicates a critical focus on the political import of the writing.' (Publication abstract)
'Helen Garner’s literary non-fiction book This House of Grief (2014), as well as her two essays ‘Why She Broke’ (2017) and ‘Killing Daniel’ (1993), all deal with instances of filicide. This article begins by offering a reading of these writings in which I argue that they perpetuate a mythologisation of family violence which prevents us from viewing that violence as an ameliorable social injustice. I look at Rita Felski’s injunction to engage more deeply with what she calls ‘ordinary readers'’ uses of literature as a way to question the relevance of the kind of critique put forth in the first section; ultimately, I find that the context of Garner’s popular reception actually vindicates a critical focus on the political import of the writing.' (Publication abstract)