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This article suggests that the narrative strategies of defamiliarisation, genre blurring and other postmodern techniques in Shaun Tan's The Arrival represent the empowerment of the ex-centric, or nomadic subject.
Publication Details of Only Known VersionEarliest 2 Known Versions of
1-16http://www.paperschildlit.com/pdfs/Papers_23.1_2015_1-16.pdfPolitics of Postmodern Multiculturalism in Shaun Tan's The Arrival : Reconfiguring the Subject as a NomadPapers : Explorations into Children's Literature
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Subjects:
The ArrivalShaun Tan,
2006single work graphic novel