Carine Chichereau (International) assertion Carine Chichereau i(13014847 works by)
Gender: Female
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Works By

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2 6 y separately published work icon Maybe the Horse Will Talk Elliot Perlman , ( trans. Carine Chichereau with title Et Si Le Cheval Se Mettait à Parler ) Paris : Laffont , 2021 17490749 2019 single work novel

'‘I am absolutely terrified of losing a job I absolutely hate.’

'Stephen Maserov has problems. A onetime teacher, married to fellow teacher Eleanor, he has retrained and is now a second-year lawyer working at mega-firm Freely Savage Carter Blanche. Despite toiling around the clock to make budget, he’s in imminent danger of being downsized. And to make things worse, Eleanor, sick of single-parenting their two young children thanks to Stephen’s relentless work schedule, has asked him to move out.

'To keep the job he hates, pay the mortgage and salvage his marriage, he will have to do something strikingly daring, something he never thought himself capable of. But if he’s not careful, it might be the last job he ever has…'

Source: Publisher's blurb.

3 23 y separately published work icon The World Beneath Cate Kennedy , ( trans. Carine Chichereau with title Nos contrées sauvages ) Arles : Actes Sud , 2015 Z1609077 2009 single work novel (taught in 2 units)

'Once, Rich and Sandy were environmental activists, part of a world-famous blockade in Tasmania to save the wilderness. Now, twenty-five years later, they have both settled into the uncomfortable compromises of middle age - although they've gone about it in very different ways. About the only thing they have in common these days is their fifteen-year-old daughter, Sophie.

'When the perennially restless Rich decides to take Sophie, whom he hardly knows, on a trek into the Tasmanian wilderness, his overconfidence and her growing disillusion with him set off a chain of events that no one could have predicted. Instead of respect, Rich finds antagonism in his relationship with Sophie; and in the vast landscape he once felt an affinity with, he encounters nothing but disorientation and fear.

'Ultimately, all three characters will learn that if they are to survive, each must traverse not only the secret territories that lie between them but also those within themselves.' (From the publisher's website.)

13 22 y separately published work icon The Night Guest Fiona McFarlane , ( trans. Carine Chichereau with title L'invité du soir : roman ) Paris : Éditions de l'Olivier , 2014 6012414 2013 single work novel (taught in 2 units)

'The debut of a major Australian writer, The Night Guest is a mesmerising novel about trust, love, dependence, and the fear that the things you think you know may become the things you're least sure about.

One morning an elderly widow called Ruth wakes thinking a tiger has been in her seaside house. Later that day a formidable woman called Frida arrives, looking as if she's blown in from the sea, but who has in fact come to care for Ruth.

Frida and the tiger: both are here to stay, and neither is what they seem. How far can Ruth trust them? And as memories of childhood in Fiji press upon her with increasing urgency, how far can she trust herself?

The Night Guest, Fiona McFarlane's hypnotic first novel, is no simple tale of a crime committed and a mystery solved. This is a tale that soars above its own suspense to tell us, with exceptional grace and beauty, about ageing, love, power and perception; about how the past can colonise the present, and about things (and people) in places they shouldn't be. Above all, it's a brilliantly involving story about two very particular women.' (Publisher's blurb)

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