'Susan Sheridan’s latest book, The Fiction of Thea Astley, is a comprehensive cross-disciplinary analysis of the greater portion of Astley’s oeuvre. Interestingly, Sheridan’s analysis focuses primarily on the interrogation of the role of emotions in Astley’s novels and short stories. While the first chapter is aptly named, ‘A Study in Emotions’, it is from this platform which Sheridan launches her interrogation of the literary worlds created by Astley. Sheridan’s book is the perfect reader for researchers and enthusiasts interested in the broader thematic, generic and sociopolitical preoccupations of Astley’s bibliography. Sheridan is at her finest analytical self when she exposes the feministic undercurrent of Astley’s novels. She situates Astley’s works, as they should be, in a specific political and temporal space which Sheridan shows both creates and problematises Astley’s writing. This fierce indictment of the patriarchy is one of the key elements which Sheridan interrogates in Astley’s work.' (Introduction)