Daria Tunca (International) assertion Daria Tunca i(12950538 works by)
Gender: Female
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Works By

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1 y separately published work icon Narrating Violence in the Postcolonial World Rebecca Romdhani (editor), Daria Tunca (editor), London : Routledge , 2021 21392720 2021 anthology criticism

'This book examines representations of violence across the postcolonial world—from the Americas to Australia—in novels, short stories, plays, and films. The chapters move from what appear to be interpersonal instances of violence to communal conflicts such as civil war, showing how these acts of violence are specifically rooted in colonial forms of abuse and oppression but constantly move and morph. Taking its cue from theories in such fields as postcolonial, violence, gender, and trauma studies, the book thus shows that violence is slippery in form, but also fluid in nature, so that one must trace its movement across time and space to understand even a single instance of it. When analysing such forms and trajectories of violence in postcolonial creative writing and films, the contributors critically examine the ethical issues involved in narrating abuse, depicting violated bodies, and presenting romanticized resolutions that may conceal other forms of violence.'

Source: Publisher's blurb.

1 1 y separately published work icon Postcolonial Gateways and Walls : Under Construction Daria Tunca (editor), Janet Wilson (editor), Leiden Boston : Brill , 2016 12950558 2016 anthology criticism

'Metaphors are ubiquitously used in the humanities to bring the tangibility of the concrete world to the elaboration of abstract thought. Drawing on this cognitive function of metaphors, this collection of essays focuses on the evocative figures of the `gateway' and the `wall' to reflect on the state of postcolonial studies. Some chapters - on such topics as maze-making in Canada and the Berlin Wall in the writings of New Zealand authors - foreground the modes of articulation between literal borders and emotional (dis)connections, while others examine how artefacts ranging from personal letters to clothes may be conceptualized as metaphorical `gateways' and `walls' that lead or, conversely, regulate access, to specific forms of cultural expression and knowledge. Following this line of metaphorical thought, postcolonial studies itself may be said to function as either barrier or pathway to further modes of enquiry. This much is suggested by two complementary sets of contributions: on the one hand, those that contend that the canonical centre-periphery paradigm and the related `writing back' model have prevented scholars from recognizing the depth and magnitude of cross-cultural influences between civilizations; on the other, those that argue that the scope of traditional postcolonial models may be fruitfully widened to include territories such as post-imperial Turkey, a geographical and cultural gateway between East and West that features in several of the essays included in this collection. Ultimately, all of the contributions testify to the fact that postcolonial studies is a field whose borders must be constantly redrawn, and whose paradigms need to be continually reshaped and rebuilt to remain relevant in the contemporary world - in other words, the collection's varied approaches suggest that the discipline itself is permanently `under construction'. Readers are, therefore, invited to perform a critical inspection of the postcolonial construction site.'   (Publication summary)

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