'The complete guide to writing autobiography, memoir, personal essay, biography, travel and creative nonfiction.
'Writing True Stories is the essential book for anyone who has ever wanted to write a memoir or explore the wider territory of creative nonfiction. It provides practical guidance and inspiration on a vast array of writing topics, including how to access memories, find a narrative voice, build a vivid world on the page, create structure, use research-and face the difficulties of truth-telling.
'This book introduces and develops key writing skills, and then challenges more experienced writers to extend their knowledge and practice of the genre into literary nonfiction, true crime, biography, the personal essay, and travel and sojourn writing. Whether you want to write your own autobiography, investigate a wide-ranging political issue or bring to life an intriguing history, this book will be your guide.
'Writing True Stories is practical and easy to use as well as an encouraging and insightful companion on the writing journey. Written in a warm, clear and engaging style, it will get you started on the story you want to write-and keep you going until you reach the end.' (Publication summary)
'Philip Roth once quipped that ‘Memoirs lie and fiction tells the truth’ (quoted by Drabble 2010: 110). Life-writing is bedeviled with issues of truth-telling, not to mention problems with ‘narcissism, the confessional impulse, sincerity, the hubris of assessing oneself with finality’ (Powers 2016: 323). Far from being a simple act of remembering and reclaiming the personal past self in words, writing memoir needs careful negotiation with notions of truth / fiction, reader accountability and how history and the ‘self’ is constructed. Life writing, Margaret Drabble goes as far to say, is a ‘dangerous game’ (Drabble 2010: 111).' (Introduction)
'Philip Roth once quipped that ‘Memoirs lie and fiction tells the truth’ (quoted by Drabble 2010: 110). Life-writing is bedeviled with issues of truth-telling, not to mention problems with ‘narcissism, the confessional impulse, sincerity, the hubris of assessing oneself with finality’ (Powers 2016: 323). Far from being a simple act of remembering and reclaiming the personal past self in words, writing memoir needs careful negotiation with notions of truth / fiction, reader accountability and how history and the ‘self’ is constructed. Life writing, Margaret Drabble goes as far to say, is a ‘dangerous game’ (Drabble 2010: 111).' (Introduction)