'Just a couple of decades ago, prose poetry occupied a very minor corner of the poetry spectrum, although many major poets have published works in that form. As early as the mid-1970s, anthologies of prose poems were emerging in the USA, but they were preceded by work produced in Europe: the nineteenth-century Romantic Fragment (which was quickly adopted by British Romantics), and then the early twentieth-century experiments, and particularly the poetic avant garde in France. Now it is becoming (almost) a staple; across Australia and internationally, major poets are adding the prose poem form to their oeuvre, and though few dedicated publications yet exist, prose poems are salting the competitions, collections, anthologies and literary journals. International poets too are extending into the prose poem, exploring its affordances.' (Monica Carroll, Shane Strange and Jen Webb: Introduction)