'Fear is an overlooked aspect of the PhD experience, both for the creative writing doctoral candidate and the supervisor. The exegesis can be a source of fear precisely because of questions around what it is and what it should look like. Drawing on experiences on both sides of the supervisory relationship, this article proposes that clear structural models for the exegesis allow students to focus their efforts on the substance of the academic component of their research project. We also argue for the rewarding nature of a research project that engages both in practice-led research and critical scholarship. We propose that alternating between the exegesis and the creative project can yield surprising results for creative writers attempting a large-scale academic work for the first time.' (Publication abstract)