'Luke Fischer’s second collection, A Personal History of Vision, published earlier this year in UWAP’s Poetry Series, firmly establishes him as a pyrotechnician of language. This is Fischer’s second collection, and like the first, which was commended in the Anne Elder Award, it brings a dazzling range and depth of experience to his writing. Fischer’s ‘Augury?’, included in Paths of Flight, won the 2012 Overland Judith Wright Prize. Fischer is also a scholar of Romanticism, and this informs his poetry in unexpected and delightful ways. He has learned from Rainer Maria Rilke that an attentiveness to language enhances our understanding of things and therefore intensifies our vision. Like Rilke, his purpose is ‘to say [words] more intensely than the Things themselves ever dreamed of being’. In that, he goes further than Samuel Taylor Coleridge who, in his Treatise on Logic, famously wrote: ‘it is words, names, or, if images used as words or names, that are the only and exclusive subject of understanding. In no instance do we understand a thing in itself’. ' (Introduction)
Epigraph: Perhaps we are here in order to say: house, bridge, fountain, gate, pitcher, fruit-tree, window—at most: column, tower… But to say them, you must understand, O to say them more intensely than the Things themselves ever dreamed of being—R. M. Rilke