Issue Details: First known date: 2017... 2017 Dominique Hecq Reviews A Personal History of Vision by Luke Fischer
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Luke Fischer’s second collection,  A Personal History of Vision, published earlier this year in UWAP’s Poetry Series, firmly establishes him as a pyrotechnician of language. This is Fischer’s second collection, and like the first, which was commended in the Anne Elder Award, it brings a dazzling range and depth of experience to his writing. Fischer’s ‘Augury?’, included in Paths of Flight, won the 2012 Overland Judith Wright Prize. Fischer is also a scholar of Romanticism, and this informs his poetry in unexpected and delightful ways. He has learned from Rainer Maria Rilke that an attentiveness to language enhances our understanding of things and therefore intensifies our vision. Like Rilke, his purpose is ‘to say [words] more intensely than the Things themselves ever dreamed of being’.  In that, he goes further than Samuel Taylor Coleridge who, in his Treatise on Logic, famously wrote: ‘it is words, names, or, if images used as words or names, that are the only and exclusive subject of understanding. In no instance do we understand a thing in itself’. ' (Introduction)

Notes

  • Epigraph: Perhaps we are here in order to say: house, bridge, fountain, gate, pitcher, fruit-tree, window—at most: column, tower… But to say them, you must understand, O to say them more intensely than the Things themselves ever dreamed of being—R. M. Rilke

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Mascara Literary Review no. 21 December 2017 12922163 2017 periodical issue

    'Over the years Mascara has published writers of distinction who cross genre and culture boundaries often with unique affinities. We have also been tasked to advocate for the cultural interests and cultural access of non-white writers in Australia. In 2012, we approached The Australian Centre at the University of Melbourne requesting that they establish a special prize or a fellowship for migrant or refugee literature since the lack of such encouragement, particularly for non-European migrants, is glaringly apparent. Conversations ensued with sporadic enthusiasm but were not followed up. Ultimately, our correspondence was dismissed by the bureaucracy of that powerful institution.' (Michelle Cahill , Editorial introduction)

    2017
Last amended 20 Feb 2018 13:17:46
http://mascarareview.com/dominique-hecq-reviews-a-personal-history-of-vision-by-luke-fischer/ Dominique Hecq Reviews A Personal History of Vision by Luke Fischersmall AustLit logo Mascara Literary Review
Subjects:
Newspapers:
    Powered by Trove
    X