Another Country single work   prose  
Issue Details: First known date: 2017... 2017 Another Country
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AbstractHistoryArchive Description

'As though it were a competition, as though you could measure love, put it on a scale, graph it, draw charts and predict growth or recession. Calculable. Everything was measurable. He felt the need to quantify things. Everything had currency, as long as you knew where to look, how to decipher it in numerical components. That was how he saw the world and the world saw it fit to bend to his will. After experiencing the grief of losing a relationship with a man I loved, I came to understand, albeit over several years, what my father meant by this. I understood that he wanted to save me from the hurt of loving, of being the doer, not the receiver. The operator, the labourer. The less worthy. The Iove-er.'  (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Mascara Literary Review no. 21 December 2017 12922163 2017 periodical issue

    'Over the years Mascara has published writers of distinction who cross genre and culture boundaries often with unique affinities. We have also been tasked to advocate for the cultural interests and cultural access of non-white writers in Australia. In 2012, we approached The Australian Centre at the University of Melbourne requesting that they establish a special prize or a fellowship for migrant or refugee literature since the lack of such encouragement, particularly for non-European migrants, is glaringly apparent. Conversations ensued with sporadic enthusiasm but were not followed up. Ultimately, our correspondence was dismissed by the bureaucracy of that powerful institution.' (Michelle Cahill , Editorial introduction)

    2017
  • Appears in:
    y separately published work icon Southerly The Lives of Others vol. 78 no. 2 2018 16854409 2018 periodical issue “Doesn’t a breath of the air that pervaded earlier days caress us as well? in the voices we hear, isn’t there an echo of now silent ones? ... if so, then there is a secret agreement between past generations and the present one. Then our coming was expected on earth” (Benjamin 390). What does it mean to be in secret agreement with people and places that came before? To recognise that coming after is a matter not just of influence, but also the taking on of certain obligations—for example, to return, to pay tribute, to make amends, to put to rest? for Walter Benjamin the challenge in writing about the past is not to achieve a faithful reconstruction of an earlier period. it is to grasp moments of correspondence between the past and the present that otherwise would fall prey to the ever-present forces of amnesia. nowhere is the call of  Southerly this precarious correspondence more acutely registered than in writings and forms of creative practice that are located in the movement between one generation and the next. it is here that remembrance comes face to face with the unfinished business of people, places and events that demand some-thing of us. 2018 pg. 179-186
Last amended 25 Jun 2019 16:53:06
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