An Archaism single work   poetry   "Can’t quite shake the image of some"
Issue Details: First known date: 2017... 2017 An Archaism
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Southerly The Long Apprenticeship vol. 77 no. 2 2017 12910210 2017 periodical issue

     'This issue of Southerly captures a snapshot of Australian writing today. Stories from writers just starting out on their long apprenticeship are placed side-by-side work from Australia’s finest essayists, writers and poets. This rich and expansive issue asks what it means to write in a contemporary Australia fraught with inequality, divisiveness, and the unrelenting exploitation of country. In a special collaboration with Sydney Story Factory, which runs workshops for young and marginalised writers, this issue of Southerly includes short stories that demonstrate the vibrancy and the vision of Australia’s up-and-coming writers. Including essays from Caroline Lefevre and John Kinsella, poetry from Kevin Hart, and much, much more, ‘The Long Apprenticeship’, is an issue comprising, as ever, the best in Australian writing.' (Editorial)

     

    2017
    pg. 54-55
  • Appears in:
    y separately published work icon In Your Hands The Red Room Company , Sydney : The Red Room Company , 2020 21414272 2020 anthology poetry 'What is a poet without an audience? What is a new book without hands to hold it up to the light? The outbreak of COVID-19 has meant the cancellation of live poetry events and writing festivals Australia wide, resulting in many poets and their publishers losing income and key opportunities to showcase new work, not to mention build readerships and celebrate the words beyond print.
     
    'To offer a little relief in response to this, Red Room Poetry and Oranges & Sardines Foundation have collaborated to create In Your Hands – a free digital collection featuring 80 poems by poets whose recent, current or forthcoming release has been directly affected by the closure of live events. All poets are paid for their contribution to In Your Hands and the collection encourages audiences to buy copies of the books.' (Publication summary)
    Sydney : The Red Room Company , 2020
    pg. 74
Last amended 24 Mar 2021 11:54:18
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