'Seeking to cast light on Melinda Smith’s Goodbye, Cruelalongside her collaborative work with Caren Florance titled Members Only is like approaching a hive of fully-formed poems. Your step halts in awe of the air abuzz, as your gaze zooms into vivid sharpness. Though thematically and stylistically distinct, these two collection burst with ideas, energies, shapes and reconfigurations of lexicons. They are laden with ripe, yet sharp, shape-changing artefacts.' (Introduction)