Cirrus@Austlit

'This interview was conducted with an awareness of the many rich dialogues with Ouyang Yu that have come before it, such as the recent conversation with Melinda Smith at the National Library of Australia, and the four interviews conducted between 2003 and 2008 which close his essay collection Beyond the Yellow Pale: Essays and Criticism, the conversations with Prem Poddar and Steve Brock particular highlights here. Ouyang has also written poetry that describes disastrous interviews. The abundance of interviews means it makes sense to not begin (again) with the basics. By now it should be taken as a given – along with Ouyang’s importance as a literary figure in both Australia and China – his longstanding commitment to bilingual poetry, the importance of translation and self-translation to his practice, his complex drawing out of a poetics from, and between two different literary, linguistic and national cultures.3I took this interview as an opportunity to talk about his most recent and most experimental poetic activities. Given the way Ouyang’s work persistently engages with temporality and the material text, it is fitting to note that this interview took place over Microsoft Word email attachments between Wednesday, 20 December, and Friday 22 December, with us both located in Shanghai. One of the many joys of moving to Shanghai has been getting to know Ouyang, and participating in the intensive online discussions around poetry and poetics that he facilitates through the WeChat poetry group ‘Otherland原乡砸诗群’.' (From introduction)