'As a physical object with an online extraction, Eddie Paterson’s new book of poems, redactor, presents the performance of mark-making in an ever expanding digital sphere. The juxtaposition between the white of the page and the black of the ink has long provided a site for textual collision, one that was used to great effect by the concrete poets and the French Symbolists. Out of the deep web’s detritus, Paterson’s collection discovers new poetic spaces of beauty in the banality of our metadata.' (Introduction)