'Australian novelist Thea Astley became known for her inclination to stare down the good fortune (four Miles Franklin awards) of her literary success during her lifetime with a persistent and self-generating narrative of having been neglected as a writer. It was never true then, and certainly not now. In fact, from this vantage point, over a decade after her death in 2004, critical attention paid to this gifted novelist has possibly reached a high point.' (Introduction)