Issue Details: First known date: 2017... 2017 Nick Cave’s The Death of Bunny Munro : Misogynistic Trash, Scatological Rhetoric, or an Ode to Valerie Solanas’ SCUM Manifesto?
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'This paper interrogates the links between Nick Cave’s The Death of Bunny Munro and Valerie Solanas’ SCUM Manifesto. It starts by situating Cave’s writing in relation to his status as an auteur, examines discourses of rock music and the murder ballad, before providing a close reading of misogynistic scenes in the novel. It offers several ways to read the novel and questions whether it can be labelled a parody, satire, or as scatological rhetoric. It concludes by drawing the discussion back to aesthetics and the intersection of literature and music in the audio book version of Bunny Munro and Cave’s success as a salesman.' (Publication abstract)

Notes

  • Epigraph: “Some may be troubled by how well the author inhabits his seedy protagonist, but Cave has his defence ready, claiming he was creatively inspired by Valerie Solanas’ SCUM Manifesto” (Thorne 28).

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Journal of the European Association for Studies on Australia vol. 8 no. 1 2017 12828887 2017 periodical issue

    'In her article "Matriduxy?: Tracing Colonial Adumbration in Australian Womanhood via a Psychoanalytical Reading of Christina Stead's The Man Who Loved Children," Theresa Holtby investigates the notion of matriduxy (the alleged dominance of women in Australian families), including its mixed reception by Australian feminist critics, in relation to expressions of imperialist masochistic ideology in fiction, namely in Stead's novel. She argues that there are striking parallels between the role of the dominatrix in Deleuze's theory of masochism and the alleged phenomenon of matriduxy, concluding that the concept of masochism offers a means to reconcile the ostensibly incompatible readings of Australian society through the lens of matriduxy or, on the other hand, misogyny.' (Martina Horakova : Editorial introduction)

    2017
    pg. 17-30
Last amended 1 Feb 2018 11:04:52
17-30 Nick Cave’s The Death of Bunny Munro : Misogynistic Trash, Scatological Rhetoric, or an Ode to Valerie Solanas’ SCUM Manifesto?small AustLit logo Journal of the European Association for Studies on Australia
X