From Grotowski to Betty Can Jump single work   criticism  
Issue Details: First known date: 2017... 2017 From Grotowski to Betty Can Jump
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AbstractHistoryArchive Description

'In Nancy, France, at the Centre for Theatre Training and Research, Kerry attended a workshop with Jerzy Grotowski, whose work at his Theatre Laboratory in Poland was exciting the European theatre world. Grotowski and his leading actors taught the international students their basic approach to actor training and dramaturgy. The work was intense, rigorous and spiritual, and had a profound effect on her. On her return to Melbourne, keen to share her discoveries of the intensity and power of Grotowski's work with colleagues from university theatre days, she found that they were engaged in fostering a new Australian theatre. It was 'Ocker' theatre with a decidedly male point of view and in no way sacred. Determined for women's voices to be heard, Kerry and a group of women created Betty Can Jump, a powerful, witty, provocative feminist theatre piece at the Pram Factory, partly in response also to Grotowski's question to her, 'Who are you?''  (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Australasian Drama Studies Appraising Aesthetic Modernisms in Australian Theatre: Patrick White and Beyond no. 71 October 2017 12749766 2017 periodical issue

    'This Special Issue began life as a one-day symposium at the University of Melbourne in November 2015, called ‘Reappraising Aesthetic Modernisms in Australian Theatre: Patrick White and Beyond’. It aimed to re-engage with the question of modernism as a style, a question of form and an approach to dramaturgy and theatricality in the Australian and international contexts. Some of the articles in this issue were first presented at the Melbourne symposium, while those by theatre artists Kerry Dwyer and Nicola Heywood started out as talks given at ‘Ten Questions about the Australian Theatrical Avant-Garde’, a symposium held at the Department of Theatre and Performance Studies at the University of Sydney in November 2016, co-convened by Ian Maxwell and Mike Mullins. As a collection, the articles featured in this issue address the question and the problem of aesthetic modernism and its impact on twentieth-century Australian playwriting, performance and staging practices.' (Editorial introduction)

    2017
    pg. 178-193
Last amended 19 Jan 2018 13:08:36
178-193 From Grotowski to Betty Can Jumpsmall AustLit logo Australasian Drama Studies
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