On Writing for the Theatre single work   essay  
Issue Details: First known date: 2017... 2017 On Writing for the Theatre
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'As far as auspicious beginnings go, I can’t imagine ‘I fell into it, completely by accident’ rates particularly high. But there it is, for me, at least. What it lacks in glamour it makes up for in truth. Writing—and writing for theatre, no less—isn’t exactly the kind of creative pursuit that really kicks off the day some hotshot agent spies a pretty face in a crowded street and waves his business card under their nose, so I wouldn’t know where to begin if I chose to embellish.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Westerly Flux; Online Special Issue no. 4 Katie McAllister (editor), 2017 12578522 2017 periodical issue

    'It’s easy to label people or things to move a conversation along. Appropriate adjectives to truly capture the essence of someone are hard to come by. Agreeing on what these adjectives mean can be even trickier.' (Editorial introduction)

    2017
    pg. 100-102
Last amended 16 Jan 2018 13:53:20
100-102 On Writing for the Theatresmall AustLit logo Westerly
Newspapers:
    Powered by Trove
    X