y separately published work icon Journal of Postcolonial Writing periodical issue   peer reviewed assertion
Issue Details: First known date: 2017... vol. 53 no. 5 2017 of Journal of Postcolonial Writing est. 2005- Journal of Postcolonial Writing
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Notes

  • Contents indexed selectively.

Contents

* Contents derived from the 2017 version. Please note that other versions/publications may contain different contents. See the Publication Details.
'Shades of the Prison House': Reading Richard Flanagan’s The Narrow Road to the Deep North and Peter Carey’s Amnesia, Martin Staniforth , single work criticism

'Australian writers from Marcus Clarke to the present day have used convictism to explore the way in which settler Australians have viewed their past and its influence on contemporary society. Convict fictions have been central to creating and reinforcing these Australians’ sense of their identity and history, and the form of the convict novel has been resistant to attempts to rewrite the traditional narrative of the past. This article argues that the underlying tropes and patterns of the convict novel have also shaped the ways in which other historical fictions have represented the past. It looks in detail at two recent fictions which use the conventions of the convict novel to examine more recent periods of Australian history and suggests that, like the traditional convict novel, their attempts to rewrite the settler narrative have been undermined by a nostalgia for the past which that narrative depicts.' (Abstract)

(p. 578-589)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 1 Mar 2018 09:25:03
Newspapers:
    Powered by Trove
    X