Issue Details: First known date: 2017... vol. 19 no. 7 2017 of Interventions : International Journal of Postcolonial Studies est. 1998 Interventions: International Journal of Postcolonial Studies
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the 2017 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Post-Apocalypse Literature in the Age of Unrelenting Borders and Refugee Crises: Merlinda Bobis and Australian Fiction, M. Dolores Herrero , single work criticism

'This essay analyses Filipino–Australian writer Merlinda Bobis’s novel Locust Girl: A Lovesong (2015), winner of the Christina Stead Prize for fiction, in the context of the post-apocalyptic Golden Age we are living in and the much-celebrated dystopian Australian tradition. Bobis’s novel is a futuristic political fable that describes a girl’s magical and nightmarish journey through an indeterminate border in a context of environmental and human apocalypse. It foresees ecological disasters of unprecedented dimensions and warns that the damage done to the planet and the largest part of humanity may end up being irreversible. Moreover, it tackles other truths so far exclusively denounced by realist narratives, namely, the Australian government policy on refugees. Some trauma theories, together with Mbembe’s “necropolitics” and Agamben’s notion of “bare life”, will be used to analysee the ways in which Locust Girl denounces the lethal effects of globalized undeterred capitalism and unitary and exclusive forms of nationalism, which are mainly responsible for the enforcement of unfair border laws and the inhuman treatment of refugees and asylum-seekers in the so-called “civilized” world, and in particular in Australia as one important member of the Pacific region. On the other hand, this essay also relies on Rosi Braidotti’s notion of “the posthuman” to show that Locust Girl also testifies to the power of women’s agency and transnational relationships in order to offer some hope of rebirth through suffering and love.' (Abstract)

(p. 948-961)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 11 Dec 2017 14:18:11
Newspapers:
    Powered by Trove
    X