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'When The Lifted Brow announced its prize for experimental nonfiction in late 2014, the fact I wondered what 'experimental' meant was probably a sign I am not very experimental. A bad sign. The literary industry so often valorises experimenting with form, genre and voice as something bold and revolutionary that I felt small and conformist for finding the whole field of 'experimental writing' intimidating, and not knowing how to enter it.' (Introduction)
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