'Last year Jimmy Barnes published Working Class Boy, the opening instalment of a memoir that proved too long, and too thorny, to be contained in a single volume. That first book, which broke off just as Barnes was joining a nascent Adelaide band called Cold Chisel, was astonishing in several ways. It told the story of a childhood that seemed to have been ripped from the most baroquely grim Dickens novel and transplanted to the suburbs of 1960s Australia. And it found a starkly effective language in which to tell that story: a stripped-back prose, full of jagged stops and starts.' (Introduction)