Cirrus@Austlit

'From bestselling Australian author Lynette Noni comes a dark, thrilling YA fantasy perfect for fans of Sarah J. Maas and Sabaa Tahir.

'Here at Zalindov, the only person you can trust is yourself.

'Seventeen-year-old Kiva Meridan has spent the last ten years fighting for survival in the notorious death prison, Zalindov, working as the prison healer.

'When the Rebel Queen is captured, Kiva is charged with keeping the terminally ill woman alive long enough for her to undergo the Trial by Ordeal: a series of elemental challenges against the torments of air, fire, water and earth, assigned to only the most dangerous of criminals.

'Then a coded message from Kiva’s family arrives, containing a single order: Don’t let her die. We are coming. Aware that the Trials will kill the sickly queen, Kiva risks her own life to volunteer in her place. If she succeeds, both she and the queen will be granted their freedom.

'But no one has ever survived.

'With an incurable plague sweeping Zalindov, a mysterious new inmate fighting for Kiva's heart, and a prison rebellion brewing, Kiva can't escape the terrible feeling that her trials have only just begun.' (Publication summary)

'I was dreading the Cunningham family reunion even before the first murder.

'Before the storm stranded us at the mountain resort, snow and bodies piling up.

'The thing is, us Cunninghams don’t really get along. We’ve only got one thing in common: we’ve all killed someone.

My brother.
My step-sister
My wife
My father
My mother
My sister-in-law
My uncle
My stepfather
My aunt
Me'

Source: Publisher's blurb.

'Charlie always thought his body could be better. His employer, military contractor Better Future, has the resources he needs to explore a few ideas. So he begins to build parts. Better parts. Charlie's prosthetist, Lola, is impressed by his artificial limbs. But some see him as a madman. Others, a product. Or even a weapon.

'Existing at the intersection between mind and body, in the dawn of the age of pervasive technology, Machine Man is a gruesomely funny tale about one man's quest for the ultimate in self-improvement.' (From the publisher's website.)

'Late on a hot summer night in the tail end of 1965, Charlie Bucktin, a precocious and bookish boy of thirteen, is startled by an urgent knock on the window of his sleep-out. His visitor is Jasper Jones, an outcast in the regional mining town of Corrigan. Rebellious, mixed-race and solitary, Jasper is a distant figure of danger and intrigue for Charlie. So when Jasper begs for his help, Charlie eagerly steals into the night by his side, terribly afraid but desperate to impress.

'Jasper takes him through town and to his secret glade in the bush, and it's here that Charlie bears witness to Jasper's horrible discovery. With his secret like a brick in his belly, Charlie is pushed and pulled by a town closing in on itself in fear and suspicion as he locks horns with his tempestuous mother; falls nervously in love and battles to keep a lid on his zealous best friend, Jeffrey Lu.

'And in vainly attempting to restore the parts that have been shaken loose, Charlie learns to discern the truth from the myth, and why white lies creep like a curse. In the simmering summer where everything changes, Charlie learns why the truth of things is so hard to know, and even harder to hold in his heart.' (Publisher's blurb)

'Shelley and her mom have been menaced long enough. Excused from high school where a trio of bullies nearly killed her, and still reeling from her parents’ humiliating divorce, Shelley has retreated with her mother to the quiet of Honeysuckle Cottage in the countryside. Thinking their troubles are over, they revel in their cozy, secure life of gardening and books, hot chocolate and Brahms by the fire. But on the eve of Shelley’s sixteenth birthday, an unwelcome guest disturbs their peace and something inside Shelley snaps. What happens next will shatter all their certainties—about their safety, their moral convictions, the limits of what they are willing to accept, and what they’re capable of.'

Source: Publisher's blurb.

'It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger and her younger brother are being taken by their mother to live with a foster family outside Munich. Liesel's father was taken away on the breath of a single, unfamiliar word - Kommunist - and Liesel sees the fear of a similar fate in her mother's eyes. On the journey, Death visits the young boy, and notices Liesel. It will be the first of many near encounters. By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordion-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor's wife's library, wherever there are books to be found. But these are dangerous times. When Liesel's foster family hides a Jewish fist-fighter in their basement, Liesel's world is both opened up, and closed down.'

[Source: Libraries Australia. Sighted 30/10/08]