y separately published work icon Overland [Online] periodical issue  
Issue Details: First known date: 2017... August 2017 of Overland [Online] est. 2011 Overland [Online]
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the 2017 version. Please note that other versions/publications may contain different contents. See the Publication Details.
How to Think Left on Copyright, Lizzie O'Shea , single work essay

'The debate around reforms to copyright does not fit neatly into traditional political paradigms..' (Introduction)

20 Years on from Gangland, We’ve Still a Youth Culture in Crisis, Joshua Krook , single work essay
On Australian Poetry Now: A Response to David Campbell, R. D. Wood , single work essay

'One way to read poetry in Australia is to see it as being in a constant state of conflict. For the most part, this is a cold war where poets argue with poets in very poetic ways – the outcry about Geoff Page’s Southerly blog probably counts as the outer limit of this activity, which manifests more often in email exchanges, reviews that are compliment sandwiches or gossipy asides. Sometimes this breaks out into the open, as we saw when John Kinsella took out a restraining order against Robert Adamson and Anthony Lawrence and which the Sydney Morning Herald covered in 2006.' (Introduction)

#freeisnotfair: A Response from the Copyright Agency, Nicholas Pickard , single work essay

'Lizzie O’Shea wrote in her recent Overland article How to think left on copyright: ‘A world where every person can read, listen and watch whatever they want at any time is now technologically possible.’ That might be true, but what O’Shea fails to acknowledge is that creating the things that we really want to watch, read or listen to, takes time, effort and money. So, while the current copyright regime certainly does not ‘compensate the majority of authors meaningfully’, it does give authors, and publications such as Overland,* who create original work from scratch, the right to seek payment and attribution for the copying of their work.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 8 Nov 2017 15:24:31
Common subjects:
Newspapers:
    Powered by Trove
    X